New Book Launch

The Truth In The Lie
After what seems like an age spend in the editing stage, The Truth In The Lie has finally launched. It has been a frustrating six months but looking at it now, it seems well worth the effort. I am so pleased with the cover. The story behind the cover photo is a fascinating one and will be the subject of a future blog post on its own. The editing of the stories was the work of my very literary eldest daughter, as described in the previous blog. She did a better job than I could ever have imagined. In fact I would say she is a natural.

The book has been out barely a day and already I am receiving feedback. Some people are fast readers. Thankfully that feedback has been good. As with my last book of short stories, people have commented upon the authenticity of the characters.

"Is that guy in Red Card based on the footballer you used to know in Ireland?"
"Be honest Mark, the Dottie in Dottie's Diary is based upon my friend Jo, isn't it?"
"I hope the cafe in All In Good Time is not my cafe, Mark. I could lose a lot of customers!"
"Mark, I read your book. Tell me, The story Traffic... how the hell did you know that about me?"

and most worrying of all –

"There seem to be several characters based upon you, who are all preoccupied with their mortality."

For a brief summary of each story, see the previous blog (below).

To find the book and to discover the characters for yourself you should click the link to Amazon or Smashwords below or in the right-hand margin of this blog.

Cover photo by Fumiko Jin - Taken in Hokkaido, Northern Japan. 

Story of the photo to follow in a future blog

The Truth In The Lie - Smashwords (all e-book formats)
The Truth In The Lie - Amazon UK (Kindle)
The Truth In The Lie - Amazon.com (Kindle)

Please note, you can read an e-book without a Kindle or e-book reader. You can download the Kindle Reader App from Amazon for free, to your Computer, Laptop, Smartphone, tablet or i-Pad. Just google it.

The Tyranny Of Editing

New Collection Of Short Stories – 'The Truth In The Lie'

My new collection of short stories, entitled 'The Truth In The Lie', seems long overdue to me. I thought it would be out long before Christmas but it's dragging its feet – or rather, I am. Some of these stories are new and I'm quite excited about them. Others were written a while ago. Before the last collection (Special Treatment & Other Stories) in fact. These are the stories I was not 100% comfortable with when the stories for the last collection was selected. "Better to hold these ones back," I said to myself. They needed more work, and I hoped, as many of us writers do, that the spark that would ignite each of them would come to me if I was patient. Periodically I have re-read them and on occasion ruthlessly edited them – slaying numerous darlings in fact – and around three months ago I felt confident that they were ready. At this point my very literary (despot) eldest daughter came home from working in a retreat in the Spanish pyrenees. She is home for a few months and asked if she could do some paid work for me.

"You could edit my next book of short stories," I suggested. "It's about ready to go but could do with a final check."

My Current Editor

The next day she began. Ten days later she presented me with a document with a mass of yellow 'Track Changes' suggestions. I have read through it. Unfortunately she has not been over-zealous. Although there were only one or two typos, she highlighted many areas where stories could be improved. I should be grateful but I must confess to some sense of frustration. It was not what I had been expecting. The publishing date has had to be pushed back to a major extent and that does not make me feel good.

And there was me thinking I had learned all I needed to know from my first two books! So having one's book edited is painful. Yes I knew that, so how could I have forgotten so easily? With my first book - Long Road, Hard Lessons - A non-fiction book about my 10,000mile cycle journey with my teenage son, I endured about two weeks of very defensive arguments with my content editor, who is an old friend. Him being an old friend probably didn't help in many ways. It certainly didn't make him any less brutal with me. In the end, however, I realised that he was right about 95% of what he said, so why not save myself the pain and just accept it, bar any parts where he had misunderstood my intended meaning.  The whole point of getting someone else to edit, is that however good we get at editing our own work, we will always need a separate pair of eyes and at least one outside point of view in order to make it as good as it should be. So this time I have not argued with my daughter - at least not yet. I am grateful for the fact that she has taken the job so seriously and made such an effort.

Image courtesy of www.thechurchofnopeople.com

So whereas this blog should have been telling you that the new book is now available, instead it is telling you that it's not. What I can tell you, I will:

Cover
I have no cover yet, but I'm inclined to go for the same traditional (Penguin classic style) cover as with Special Treatment & Other Stories. I'm not a traditionalist by nature but I can't stand those cheesy (as I see them) airport thriller style covers that look like a graphic design student had a month to kill and needed to impress someone. I like the cover to intrigue the reader about what's inside rather than to get them so excited about the cover, that what's inside can only seem like an anticlimax. Or perhaps I just prefer 'classy' to 'loud'.

Story Genre
The stories are, like the last collection, subtitled 'Excursions Into The Lives Of Others'. They are somewhat voyeuristic in style. The reader may feel they are prying. Things are disclosed or hinted at which we feel perhaps we shouldn't know – some readers may even feel a sense of discomfort. Perhaps some of that discomfort is about the fact that most of us recognise something of ourselves and our own lives in these characters. Scary! But I sense that much of what seems to make people uncomfortable, is their own overwhelming desire to know more.
The title, The Truth In The Lie, was chosen because of the number of times I have been asked whether my stories are based upon truth. It seems obvious to me that every fictional story is based upon truth – personal truths from past experiences or those I have heard of, and 'great truths'. Many so called great truths may never actually have happened, yet they are universal truths of life, understood by all.

Story Outlines

My Only Friend – An elderly widow in Lisbon is estranged from her son who prefers to live in squalor and idleness since the death of the father he adored.

A Minor Distraction – A rich American man on a train in Africa tries to tempt a poor young girl into his carriage while stopped at a wilderness station. The tragedy that ensues hardly seems to touch him.

Greta – A pair of travellers arrive in a rural Hungarian hotel where all is not what it should be. They are shown to their room by a young woman who seems something of an automaton. 

All In Good Time – A woman who runs a cafe is told she is being watched by the security forces. It seems unlikely until one of her staff disappears under strange circumstances.

Masaji – A father and son attempt to escape from China on foot after their visa runs out. 

In The Line Of Fire – A man in a war zone is attacked and hounded by those he once regarded as friends. They seem unwilling to allow him to leave the area, however.

Never Give Up – Exhausted after several days at work, a man begins to experience strange occurrences while driving home through a long road tunnel.

Traffic – An art dealer makes his first trip to Africa and almost immediately becomes the victim of not one but two carefully engineered scams – or so it seems. 

River Witch – A young man camps by a river and is shocked to see a naked young woman float past as he lies in bed enjoying the early morning sun. How could he not go after her?

Red Card – Once a promising professional footballer, Pat Carmichael becomes an alcoholic loser after he suffers a crippling injury. Finally after two years of depression he picks himself up.

Drawn To The Light – Travelling home on his daily commuter train, David is drawn to something strange he sees in the dark while the train is stopped. What he sees transfixes him.

Dottie’s Diary – Two women hill-climbing in Wales take shelter in a stone barn. Soon they are joined by a wealthy local woman who invites them home where they meet her husband. He is familiar to one of them. 

Burned On Him – A rather reserved family meet for a weekend at the parents' house where a revelation by one sister causes an argument and unexpected consequences.

The ‘F’ Word – A conversation overheard on a train with three children, their mother and her friend. 

The Bottle Lady of Luang Prabang – Surreal happenings when a group of friends meet at their regular breakfast cafe by a busy main road. "The chink of glass in the early morning traffic haze."

If you would like to purchase 'The Truth In The Lie' (which is now available in print or as an e-book) please click one of the links to the main sales sites, where you can also find other stories by the same author:

Mark Swain on Amazon
Mark Swain on Smashwords

Special Treatment & Other Stories

SPECIAL TREATMENT - and other stories

Mark Swain describes these 12 short stories as excursions into the lives of others. In each story we find ourselves transported – thoroughly absorbed. We are there. Some places we think we recognise, while others are unfamiliar, even mysterious. There are dark corners, but most of all there is humour – poignant and frequently ironic. The locations are illuminated for us. Vivid images; the atmospheres; the smells and sounds. But it is the characters we are drawn to: A divorcee hairdresser who dotes on her son. A resentful victim of a construction-site accident. An elderly man victimised by political activists. A boy’s summer job. Lovers. Adventurers. Workers. Travellers. Prisoners. They open their lives to us. We are let into their secrets.

There is an authenticity to Mark Swain’s characters that can leave the reader feeling almost like a voyeur. We are privileged. We know them; care about their plight; laugh and cry with them. We can certainly never forget them.

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